Wiseau’s co-star and best friend, Greg Sestero, writes in his book, The Disaster Artist, that Wiseau wanted the film to end with his lead character flying his Mercedes off the roof of his house into the sky over San Francisco. And even with the noticeable lack of production value, the eccentric director desired even more. In terms of production value, the green screen backdrops of San Francisco stand out as a particularly laughable example of the movie’s technical quality. His passive aggressive acting makes it very difficult to follow the random and unintelligent dialogue. Wiseau wrote, produced starred in and directed the film – an important note to make, as he manages to be incompetent in every position. The film focuses on a love triangle between Johnny, his fiancée, Lisa and his friend, Mark.
One of the most cherished cult films ever made is Tommy Wiseau’s The Room. And yet, none of these films eclipse what is considered to be the best worst film ever made. Linked with a cheesy score and sound effects that may or may not have been made by a child blowing into a glass of milk through a straw, this scene is funnier than the whole of Adam Sandler’s much-derided “comedy,” Jack and Jill. In one scene seemingly shot with a webcam plugged into Apple’s Photo Booth, a cartoon jellyfish too ludicrous for clipart stings a woman in the ocean. The film is sprinkled with abysmal effects that make it nearly impossible to take any part of it seriously. In this sequel, the filmmakers dared to take a step up from flash animation for their special effects. It is important not to forget the actual process of making a film as disastrous as some of the films that are deemed the worst ever made, and one of these terribly crafted movies is Birdemic 2: The Resurrection. The delivery of lines can go a long way in making a film have higher quality, and this is absent from Troll 2.
#Charlie murder birdemic movie#
And while the whole movie may be considered campy or some other negative adjective, it is the screenshot of Wright’s face and the cataclysmic scream that people associate with the film. Unfortunately, Wright was never given this advice and instead opts to deliver a performance more catastrophic than that of the soldier strapped to a bomb in Dr. Billy Wilder famously had to repeatedly scorn Jack Lemmon for doing too much. A prime example of this is the much-parodied line from Troll 2, “They’re eating her – and then they’re going to eat me! Oh my god!” Now, this dialogue does break the rule that Anders points out in his article, but it is not the writing that is remembered so well, but the facial expressions, half-hearted delivery, and absurd shouting done by actor, Jason Wright. It is then that the viewer realizes the incompetence of the line and laughs at it as if it were an awkward quip at a dinner with friends.īut then one has to question the actors’ delivery of these lines. The silly tone this line carries makes the murder seem comedic. In his article, “How Not To Be a Clever Writer” for io9.com, Charlie Jane Anders writes, “Sometimes the more quotable the dialogue, the less it sounds like the way people really talk”. There is always the fair point that one must maintain a suspension of disbelief during a movie, but lines like these are really asking for a lot. One of the key moments in Plan 9 From Outer Space is the famous line, “Inspector Clay is dead, murdered, and somebody’s responsible.” Disregarding acting here, this line is quite absurd. For a comedy film, the jokes are mostly translated through dialogue and its delivery. Dialogue is one of the main sources of information when following a film narrative. It seems the first place to look when examining bad films is the dialogue. Some equate it to the idea of watching someone trip and fall.
Fans of these films bask in the humor of the dialogue, cinematography and acting. But neither of these films scratch the surface of the cult phenomenon maintained by bad movies like Troll 2, Plan 9 From Outer Space, and of course, The Room. Conan O’Brien even swallowed his pride to appear in a self-deprecating role in the Syfy Channel movie, Sharktopus vs Pteracuda. Films like Sharknado and its sequel have gained much popularity and have achieved commercial success on TV. It shouldn’t seem uncommon that people love to watch bad movies. However, there is another realm of cinema that many fans live in: the “bad movie” circuit. Movie nerds bicker and argue all the time – “Should Forrest Gump really have won best picture in 1994?” “Which Godfather movie is better?” “Should Adam Sandler just retire?” – but they always take pleasure in the practice of film discussion, itself. There are websites, television shows and magazines such as this one that devote themselves to the glory that is film.
Since its dawn, cinema has been a place of escape, desire and entertainment.
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